Cthulhu Cantata

by Richard Thomas Hill

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    Composer Richard Thomas Hill (b. 1969) fuses a Baroque sacred music form with 21st century musical language using prose and poetry of H. P. Lovecraft as well as original lyrics by the composer and Charles Moore, Jr. The result is a piece of ritual music worthy of the cult featuring stunning vocal performances from professional singers well versed in Baroque and Classical music as well as modern techniques.

    Includes unlimited streaming of Cthulhu Cantata via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
Introit 01:32
IA! IA! IA! Ph'nglui mglw'nafh [Phën-glu-i mëg-L-wë-nafh] Cthulhu R'lyeh wgah'nagl fhtagn
2.
Recitative (Tenor solo) When the stars were right, They could plunge from world to world through the sky; but when the stars were wrong, They could not live. Aria (Bass solo) Loathsomeness waits, and dreams in the deep, and decay spreads over the tottering cities of men Man rules where they ruled once They shall soon rule where man rules now (Duet)
3.
4.
Night-Gaunts 04:05
“Recitaria” (Soprano): Night-Gaunts Out of what crypt they crawl, I cannot tell, But every night I see the rubbery things, Black, horned, and slender, with membranous wings, And tails that bear the bifid barb of hell. They come in legions on the north wind’s swell, With obscene clutch that titillates and stings, Snatching me off on monstrous voyagings To grey worlds hidden deep in nightmare’s well. Over the jagged peaks of Thok they sweep, Heedless of all the cries I try to make, And down the nether pits to that foul lake Where the puffed shoggoths splash in doubtful sleep. But oh! If only they would make some sound, Or wear a face where faces should be found!
5.
Recitative (Alto) They worshipped, so they said, the Great Old Ones who lived ages before there were any men, and formed a cult which had never died, hidden in distant wastes and dark places all over the world; Aria (Tenor) until the time when Cthulhu, from his dark house in the mighty city of R'lyeh under the waters, should rise and bring the earth again beneath his sway. Some day he would call, when the stars were ready when the stars were ready Yi-nash-Yog-Sothoth-he-lgeb-fi-throdog-YAH! Some day he would call, when the stars were ready when the stars were ready
6.
7.
Recitative “Spoken Chorus” The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light! into the peace and safety of a new dark age.
8.
The Bells 03:54
Aria (Contralto): The Bells Year after year I heard that faint, far ringing Of deep-toned bells on the black midnight wind; Peals from no steeple I could ever find, But strange, as if across some great void winging. I searched my dreams and memories for a clue, And thought of all the chimes my visions carried; Of quiet Innsmouth, where the white gulls tarried Around an ancient spire that once I knew. Always perplexed I heard those far notes falling, Till one March night the bleak rain splashing cold Beckoned me back through gateways of recalling To elder towers where the mad clappers tolled. They tolled—but from the sunless tides that pour Through sunken valleys on the sea’s dead floor
9.
Efficiunt Daemones ut quae non sunt sic tamen quasi sint conspicienda hominibus exhibeant.
10.
11.
Sea Shanty lyrics by Richard T. Hill & Charles Moore, Jr. From Oslo way a sailor came Johanssen was his family’s name The Emma she from Auckland sailed Til on the way her compass failed Beset upon by vacant men Her valiant crew would her defend ‘Til lost she was but they survived - Yi-nash Not a savage soul was left alive - Yi-nash-Yog-Sothoth They took the captured pirate ship And continued on their ghastly trip To an island risen from the sunless sea - Yi-nash And it’s blasphemous geometry - Yi-nash-Yog-Sothoth-he-lgeb-fi-throdog Rodriguez he did spy it first The resting place of Terror cursed All but two met their demise - Yi-nash In ways we cannot visualize - Yi-nash-Yog-Sothoth Johanssen and Briden ran back to the boat Full steam ahead they kept afloat - Yi-nash-Yog-Sothoth Chased by the gibbering god supreme! - Iä! Iä! Cthulhu fhtagn! One conjured in a madman’s dream - Iä! Iä! Cthulhu fhtagn! The thing in full pursuit did follow ‘Twould overtake them in the shallows But Johanssen deftly steered around And struck it with a horrid sound The engines and the sea did churn Johanssen cast his eyes astern And just above the water line, - Yi-nash-Yog-Sothoth-he-lgeb The hellish spawn did recombine -Yi-nash-Yog-Sothoth-he-lgeb-fi-throdog They steamed away for a week and a day Briden went mad and passed away Johansen carried on alone With dreams of dread and an idol of stone He’d put to paper his eldritch tale A hist’ry he would not regale - Yi-nash ‘Twas how Johansen came to be The mystery derelict found at sea - Yi-nash Yog-Sothoth Forsaking the ocean, he returned to his bride Made it all the way home and promptly died! Yi-nash-Yog-Sothoth-he-lgeb-fi-throdog-IA! IA! IA!...
12.
Incantation 07:42
Per A-do-nai E-lo-im, A-do-nai Je-ho-va, A-do-nai Sa-ba-oth, Me-tra-ton On Ag-la Ma-thon, ver-bum py-thon-i-cum, my-ster-i-um sa-la-man-drae con-vent-us syl-vor-um, an-tra gno-mor-um dae-mon-i-a Coe-li Gad, Al-mou-sin, Gi-bor Je-ho-su-a, E-vam Za-ri-at-nat-mik [ve-ni, ve-ni, ve-ni…] Yog-Sothoth knows the gate. Yog-Sothoth is the gate. Yog-Sothoth is the key and guardian of the gate. Past, present, future, all are one in Yog-Sothoth. Iä! Iä! Cthulhu fhtagn! Iä! Iä! Cthulhu fhtagn! Iä! Iä! Cthulhu fhtagn

about

Composer Richard Thomas Hill (b. 1969) fuses a Baroque sacred music form with 21st century musical language using prose and poetry of H. P. Lovecraft as well as original lyrics by the composer and Charles Moore, Jr. The result is a piece of ritual music worthy of the cult featuring stunning vocal performances from professional singers well versed in Baroque and Classical music as well as modern techniques.

credits

released October 31, 2022

Performed By: The Arkham Virtual Chamber Orchestra
Soprano: Rachael Lipson
Alto: Javvieaus Stewart
Tenor: Shane Tapley
Bass: Jordan Barrett
Choral Director: John Walthausen
Saxophones: William Conn
Trombones: Chris Mele
Drums: Ritchie DeCarlo
Fiddle: Mollie Ducoste
Percussion: Dave Schonauer & Rich Hill
Electric and Acoustic Bass: Andrew Nelson
Strings: Four For Music, Ltd. Acoustic Guitar: Rich Hill
Electronics: Ritchie DeCarlo & Dave Schonauer

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Richard Thomas Hill Philadelphia, Pennsylvania

I have composed music for two short films: Willy Will (2005) and Lost Reflections (2003). In 2012, I co-wrote a burlesque musical It's A Wonderful Christmas Carol Story (Life). My influences include Bach, Schubert, Beethoven, Stravinsky, Bartok, Debussy, Shostakovitch, Messiaen, Zappa, Coltrane, Stalling, Zorn, Glass to name a few. The modern day composer refuses to die. ... more

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